![]() ![]() Nrounds, max_depth, eta, gamma, subsample, colsample_bytree, rate_drop, skip_drop, min_child_weight If you go to the Available Models section in the online documentation and search for “Gradient Boosting”, this is what you’ll find: Model The most flexible R package for machine learning is caret. # $ Private Yes, Yes, Yes, Yes, Yes, Yes, Yes, Yes, Yes, Yes. Statistics for a large number of US Colleges from the 1995 issue of US News and World Report. ![]() the proportion of features on which to train on.įirst, data: I’ll be using the ISLR package, which contains a number of datasets, one of them is College.the number of observations in each leaf,.the number of iterations (i.e. the number of trees to ensemble),.Other hyperparameters of Gradient Boosting are similar to those of Random Forests: Therefore, the gradients will be added to the running training process by fitting the next tree also to these values.īecause we apply gradient descent, we will find learning rate (the “step size” with which we descend the gradient), shrinkage (reduction of the learning rate) and loss function as hyperparameters in Gradient Boosting models - just as with Neural Nets. ![]() In Gradient Boosting we are combining the predictions of multiple models, so we are not optimizing the model parameters directly but the boosted model predictions. In Neural nets, gradient descent is used to look for the minimum of the loss function, i.e. learning the model parameters (e.g. weights) for which the prediction error is lowest in a single model. The gradient can be used to find the direction in which to change the model parameters in order to (maximally) reduce the error in the next round of training by “descending the gradient”. The gradient is nothing fancy, it is basically the partial derivative of our loss function - so it describes the steepness of our error function. These errors can now be used to calculate the gradient. The distance between prediction and truth represents the error rate of our model. In each round of training, the weak learner is built and its predictions are compared to the correct outcome that we expect. The gradient is used to minimize a loss function, similar to how Neural Nets utilize gradient descent to optimize (“learn”) weights. When we train each ensemble on a subset of the training set, we also call this Stochastic Gradient Boosting, which can help improve generalizability of our model. The general idea behind this is that instances, which are hard to predict correctly (“difficult” cases) will be focused on during learning, so that the model learns from past mistakes. In boosting, the individual models are not built on completely random subsets of data and features but sequentially by putting more weight on instances with wrong predictions and high errors. In the Random Forests part, I had already discussed the differences between Bagging and Boosting as tree ensemble methods. ![]() Most of the magic is described in the name: “Gradient” plus “Boosting”.īoosting builds models from individual so called “weak learners” in an iterative way. Let’s look at how Gradient Boosting works. ![]()
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![]() ![]() In addition to the original DOS game, this release adds Mediterranean and Indian Ocean battlesets as well as three designer series battlesets for each area and easy-to-use scenario editor. When launched a year later, the Macintosh version worked with System 6.0.2 or above and used monochrome graphics however, a 16-color Macintosh version was available as a $15 upgrade. Product Description The first Windows version of the naval battle simulator based on Larry Bonds popular Harpoon board-game from 1980. Similar Games Silent Hunter 4: Wolves of the Pacific MaPC The fourth installment in the Silent Hunter franchise. It is based on a miniature table top game by Larry Bond. After 30-months of development, and at the cost of over $300,000, the computer game was released for IBM PCs on December 17, 1989. Harpoon is a realistic real-time tactics game that emphasizes quick and accurate decision making. The original program was 426K and supported (through separate graphics files) CGA, Tandy, and EGA video formats. The Harpoon software engine contained over 115,000 lines of code, with most written in the C programming language and the remainder in Assembly. The general rule is that any Object with a physical collision frame in the game can be harpooned, unless stated otherwise. Wells award as the best miniatures game of 1980. 1935 Parker Brothers Monopoly Game Wooden Pieces No Board - 55.99 1920s Flapper Cloche Hat with Floral Applique Pink Small Antique - 39.99 17 Pcs. ![]() It explained the basics of modern naval combat and allowed players to take on the role of a ship captain or formation commander. The game was used to model many of the naval battles depicted in the book. This is the first edition of the Harpoon Modern Naval Miniatures Rules was published in 1981. Powered by Frooition RPGs (Role Playing Games) Board Games & Card Games Wargames. ![]() Clancy later teamed up with Larry Bond writing Red Storm Rising, published in 1986. HARPOON also achieves realistic results with hypothetical scenarios. Book ResearchĪuthor Tom Clancy used the paper version of Harpoon while writing The Hunt for Red October, published in 1984. The joys of naval war gaming are in the chase and the battle. The editors called it 'probably the best known and most successful naval war game theres ever been. Read reviews from the worlds largest community for readers. Larry Bond first created Harpoon in 1980 as a paper-based miniatures game. In 1994, PC Gamer US named Harpoon the 36th best computer game ever. ![]() ![]() ![]() ![]() Newsea’s Foam Summer (included in download, no need to download separately) Trust me, the result is a lot more appealing when you see it.Īveira’s Newsea Foam Summer – Retexture Total Color Swatches: Their texture adds a lot more character to what would have otherwise been another quintessential “long and wavy” hairstyle (and we already have Anto’s Effie hair to cover that, thanks).Īside from creating fuzzier edges and smoothing down some wild stray hairs, she also created some cool color variations just bursting with flavor.Ī lot of them have this pretty sweet ombre effect: three or four tasty colors combine to create a candy cloud right on top of your Sims’ head. When I first saw this retexture, my initial thought was how much the hair looked like a cloud.Īnd that surprised me, because Alpha CC tends to look sharper and more defined (like the original mesh for this download, actually).įuzzy and clumped-together is more of the Maxis Match style. Sharareh’s WingsSims’ OE106 Hair Retexture Total Color Swatches:ġ6 swatches for retexture | 20 swatches for original mesh I’m going to stop waxing poetic now and let the CC do the talking. An almost hypnotic ocean blue with a splash of aquamarine. Soft powder blue running through baby pink. Words cannot describe how utterly mesmerized I was flipping through the color combinations.Ĭlassic black with a white streak. That’s right 13 swatches – out of the available 55 – have the side curl colored a different color than the rest of the hair. That particular chunk also happens to change color depending on the base hair shade. This gorgeous side-swept number has soft waves that fall just below the shoulder, and a playful chunk of softly-curled hair at the front, framing the face. So the previews for this hairstyle had me hitting the download button ASAP. I’m a huge sucker for long, wavy hair parted at the side. Tatygagg’s Taty_Alesso_Omen Total Color Swatches:ĥ5 swatches (includes 13 two-tone variations) Here are some awesome Sims 4 Alpha CC sets for wavy hair. ![]() And the obvious, exaggerated highlights (indicating smooth, shiny hair). Some will even exaggerate the play of light and shadow for a more hyper-realistic effect.Īlpha CC hairs are characterized by the individual hair strands rendered. Texture-wise, they’re often very detailed. TS4 Alpha CC is custom content specifically designed to make Sims look more realistic. ![]() ![]() ![]() Public skating is also available at our 3 indoor ice rinks. Rotary Rink and Humboldt Basin are free outdoor rinks. When it turns cold, the best winter recreation is ice skating. North Olmsted Parks & Recreation encourages and supports an active lifestyle. to 7 p.m., 7 days a week, through the summer season (weather dependent)įor more information regarding pools schedules, swimming lessons and locations, please call the Supervisor of Rinks and Pools at 71. Learn more or check the current Ice Availability Sheet. The Center features a state of the art fitness center, indoor and outdoor pool, tennis. Individuals must be 21 years of age and older to reserve a rink. North Olmsted Recreation Center, North Olmsted, OH. ![]() Summer Pool Schedule (PDF): There is no fee for pools in the summer, however everyone must sign in to gain admittance and young children must be accompanied by an adult Reserving an Ice Rink Reservations must be done via email to the Recreation Commissioner, Betsy Drenski, at.2 Wading Pools (Less Than 2 Feet Deep):.City of Buffalo Pool Information The City of Buffalo operates: ![]() ![]() Number of pixels (width * height * num_frames) Resolution should be Adhere to the following constraints to improve success rates. The file size limit and other constraints may vary depending on the media_category parameter.Ī GIF may fail during Tweet creation even if it is within the file size limit. In addition, there is a separate product entity specific file size limit which is applied when calling the Tweet creation (or similar) endpoints with media_id. The file size limit above is enforced by the media upload endpoint. Image size Supported image media types: JPG, PNG, GIF, WEBP.Image files must meet all of the following criteria: If you are an Ads API partner please refer to these docs for more information on recommended media category for promoted video. The most common media categories are as follows: ![]() If media category is not specified, the uploaded media is assumed to be a Tweet media (image, video, or GIF), depending on the content type. It is an optional value passed in the INIT request as part of the upload flow. It’s important to use the correct media category when uploading media to avoid problems when trying to use the media. The Media Category parameter defines the use case of the media file to be uploaded, and can affect file size limits or other constraints enforced for media uploads. Use the media_id_string provided in the API response for Javascript and any other languages that cannot accurately represent a long integer.Also, take a look at the Twitter Libraries available, including the large-video-upload-python library. For working examples of how to POST using this endpoint, we recommend testing with twurl.Multi-part message boundaries must be on their own line and terminated by a CRLF.When posting base64 encoded images, be sure to set the “Content-Transfer-Encoding: base64” on the image part of the message.The image passed should be the raw binary of the image or binary base64 encoded, no need to otherwise encode or escape the contents as long as the Content-Type is set appropriately (when in doubt: application/octet-stream).You may attach up to 4 photos, 1 animated GIF or 1 video in a Tweet.POST or query string parameters are not used when calculating an OAuth signature basestring or signature. Because the method uses multipart POST, OAuth is handled differently.Uploading media with OAuth can be a bit tricky, so we’ve outlined some things to keep in mind as well as a working sample of how to use this endpoint here. As you can see, templates are super customizable to fit any needs.There are a few important concepts to understand when using the POST media/upload endpoint. Working with templates is a great way to get started with After Effects. In the drop-down menu in the timeline, there’s a Scale option under the Transform menu. ![]() To do this, open up the comp for one scene at a time and locate the text element. ![]() ![]() If you’re unsure, just start with a new comp and leave everything else intact.įinally, when editing a horizontal template to fit a square format, you may need to scale down the text and other design elements. You can also take the “delete what you don’t want” approach, but because items are often linked in AE, you could end up deleting something you need. (Pro Tip: for vertical video, set a 9:16 aspect ratio.)įor these examples, we created a new comp for each project and dragged selected scenes right to the new comp. You can edit the settings for an existing comp by right-clicking on it, or by setting the width and height upon creation. To create a square video in AE, you’ll need to edit the composition settings. To create this promo for a DJ service, we used a motion background of blurry lights at a show, photos of dancing girls, and a photo of a DJ adjusting sound. It also helps to have a general understanding of how After Effects works, as different templates vary a bit in how they are set up.Ī great thing about using AE templates to create videos is that you don’t even need any footage-most templates work well with photos, videos, or a combination of both. If you’re new to After Effects, check out this full tutorial on customizing AE templates. Most phones shoot high-quality footage, and with all of the templates and tools out there, you don’t need to be an After Effects wiz to make some magic happen.įor this post, we’ll show you how to edit and size an After Effects template to create three different square-format promos for Instagram video ads-all using this summer dynamic opener template. While getting started can be overwhelming, the good news is that video marketing is more accessible than ever. The results are in: video marketing pays off big. ![]() ![]() There was also less change in the mood and tone when he arrived. ![]() In “The Monkey’s Paw”, he is automatically presumed less friendly as less detail was put into his arrival. There was a much more significant amount of development put into Morris’ arrival in The Monkey’s Paw compared to “The Monkey’s Paw”. However, when Jacobs writes, “The Sergeant-Major took hands and taking the proffered seat by the fire, watched contentedly as his host got out whiskey and tumblers and stood a small copper kettle on the fire” (Jacobs 16), he provides a different outlook to this character. The beginning dark tone is lightened upon his arrival, changing the reader’s feelings towards him. When Lewis directs Sergeant Major Morris to say “Don’t worry, I am not in uniform”, he has created a sense of humor identified with the sergeant. This gap is found in the character development of Sergeant Major Morris. Continuing into the two interpretations, there is another large gap between the two takes of the same idea. This change in imagery well illustrates that two creators can use small details to fully change the entire opening of the story, as well as the domino effect this change has on the reader’s expectation in the mood while progressing through the story. It is necessary for the reader’s thoughts to be set up in a certain expectation in order to perceive the author’s intended feeling as they progress through the story. The director of The Monkey’s Paw chose to include this trait in order to prepare the reader’s mind. Although the themes originate from the same idea, the short story creates a greater sense of optimism towards the mood of the story, whereas the short film begins with a more set and ominous mood. These varying types of imagery have a large effect on the mood perceived by the reader. The reader is left little optimism towards the storyline and is set up for a more mysterious and frightening story, whereas in the begging of “The Monkey’s Paw” there is an abundance of optimism provided. Beginning the movie in this way automatically leads the observer’s mind down a path led by an ominous view. The green fog encompassing the room where the old Fakir is creates a heavy amount of foreshadowing as to how the story will develop. The first scenes in the short film show the old fakir putting a spell on the paw. On the contrary, The Monkey’s Paw begins in a very different way. There is nothing yet in reader’s mind that tells them the story will contain more harsh and negative tones. Adding to the light-hearted mood in the reader’s mind, the contrasting details of the dark and rainy night to the bright fire neutralize the common negativity associated with the harsh night and further influences the reader’s idea in the opening of the story. The imagery used does not present a very frightening mood for the reader, but a more neutral one that they can tell will be influenced soon in the story. Allowing the first take at the story to be rather vague, the reader can easily become more shocked as the story progresses due to the weakened foreshadowing. Jacobs allows the following events to set up a more cheerful mood. When Jacobs writes, “Without, the night was cold and wet, but in the small parlour of Laburnum Villa the blinds were drawn and the fire burned brightly” (Jacobs 15), he is beginning the story with a very open tone. The man wishes his son dead again because he is horrified that the mutilated body of his son who has been dead for several days might be back to life and at their door. The wife tells her husband to wish the son back to life, and later that night knocking comes to the door. The man wishes for a lot of money and receives the money only after his son was killed by machinery at his place of work. The popular story is about an elderly couple in ownership of a monkey’s paw that grants three wishes. The Monkey’s Paw sends the message of being careful what you wish for. Within the first few moments of the interpretive movie The Monkey’s Paw, there is a change of imagery compared to that in the beginning of “The Monkey’s Paw”. Get custom essay Differences between the story and the film Imageryīeginning with the differences found in the imagery and foreshadowing, there is automatically an uncommon trait. ![]() ![]() ![]() jumping over a cursed steam or blood cloud, which give the Decaying status. Being affected by clouds in most cases is not a big deal, but can become fatal if you have no armours, i.e. In addition, to use Flight once, you have to use 2 AP: one for Spread Your Wings and one for Flight. Original Sin Enhanced Edition are crafted and POLYMORPH skillbooks. The flight trajectory can be blocked by obstacles, unlike all other jump skills where they simply warp where they want to go. Reapers Coast - Skillbooks and vendors Divinity: Original Sin 2 Ovis - sells. Thats why Divinity: Original Sin 2 s Polymorph skill school is unique as fantasy magic goes. Not many RPGs let you deform your character into a hideous amalgam of monsters so they can break the game. Compared to other travel skills, Spread Your Wings is one of the worse ones. Tentacle Lash is a Polymorph Skill in Divinity Original Sin 2. Summon Oily Blob is a Polymorph Skill in Divinity Original Sin II. There are a lot of great Polymorph skills in Divinity: Original Sin 2.If the target point is outside Medusa Head's range, they will be unpetrified If a character without magical armour flies over a character with Medusa Head active, they will be petrified mid-flight, but will still continue flying towards their target.Ignores surfaces when moving, but not while staying still, as the character is standing.All credit, collectively, to r/DivinityOriginalSin we assembled this info together. SUMMONING The tinker Nebora, in a tent near the western gate this is the character who offers to take your collar off after you win in the arena. Will be affected by clouds in the path, even if it looks like the character is not touching them POLYMORPH Doctor Leste, who is just outside the refugee cave.AI cannot use Spread Your Wings, but can use Flight if they have Spread Your Wings pre-set to them.Flight is affected by range bonuses ( Far Out Man, Farsight).Scroll crafted by combine Sheet of Paper, Life Essence, and Sinew.The Petrified status debuffs earth resistance, and the Oily Blob may actually survive for more than one turn if several enemies are completely disabled. ![]()
![]() From a distance the water had appeared a brilliant blue, but as we neared, gradations of color began to appear-shades of blue, purple, pink, and red-a traveler’s mirage, of sorts, and undeniably picturesque. We then decided to make our way across the white blanket to the water’s edge, fighting off fears that the salt, which had the distinct characteristics of ice-would “break” and we would plunge into the Great Salt Lake below (which was a physical impossibility since the water wasn’t below). We walked about the Jetty with the sun hot upon our skin, the smell of the salt air filling our nose and lungs, and the feel of salt crystals on our fingers (having knelt to examine the minerals that carpeted the environ). Upon closer inspection, the “snow” was actually crystallized salt that brilliantly reflected the sun’s rays and the nearby water. Between the Jetty and the lake, there was a blanket of white-a picture-perfect postcard image of a quiet winter’s morn, and yet, the “snow” wasn’t melted by the sun blazing down from above so you could still go outside with your ski pants to get yourself protected from the cold. Yet another surprise, the water from the Great Salt Lake no longer permeated the rocks, but was a significant distance beyond. That couldn’t possibly be it! Naturally the distance made the work appear smaller and it “grew” as we approached, but even as we stood perched on the rocks right above it, it seemed utterly dominated by the landscape. Smaller than expectedīut … it was so … so … so small. Nearly eight hours after my day had begun, it came into view. An hour at the airport, followed by an hour plus on the plane, then a two plus hour bus ride over the bumpiest “trail”-it certainly wasn’t a road!-imaginable, and ultimately a fifteen minute hike. ![]() How would the experience compare to the visions (particular to each person) we had all conjured up over the years? Would the jetty “deliver” the transformative experience we all sought? Or would it fall victim to a case of excessively high and unattainable expectations? Time would tell.īut, it would indeed take time. I meet the rest of my party at the gate at LAX and it’s immediately clear from the conversation that we’ve all arrived at this moment with decades of expectation accumulated. ![]() I bound out of bed, Gianfranco Gorgoni’s seminal photograph of Robert Smithson’s iconic earth work on repeat in my head as I shower and “pack” for the daylong adventure that will take me to a remote area of Utah. Robert Smithson, Spiral Jetty, 1970 (Great Salt Lake, Utah) (photo: Gianfranco Gorgoni) ©Holt-Smithson Foundation Elena FitzPatrick Sifford on casta paintings
![]() ![]() The Potensic A20 is a cute little drone that has a surprising number of features for $40. The S5C comes with two matchbook-sized rechargeable batteries, each of which can power the drone for about 7 to 8 minutes of flight. Set the drone flying forwards, and it loses altitude because the motors can’t run fast enough to keep the altitude up. There is no image stabilization, so every bump and dip of the drone is captured, along with a pronounced rolling shutter effect, where the video looks like wobbly jell-o.Įven though the S5C is light - it gets blown off course easily -it's underpowered. The S5C captures video at 1280 by 720 (720P) resolution, but the video is rather grainy and noisy. Hold up an open hand with the fingers extended and it starts recording video. The S5C can be controlled from the included controller, through the Snaptain Era app, or through hand gestures: Select this in the app, then make a two-finger victory sign at the camera and it counts down and takes a photo. However, the large rotor blades are somewhat noisy in flight. The Snaptain S5C has a neat, angular design complete with rather bright red and green LEDs near the motors. Read our full Propel TIE X1 Advanced drone review. Too bad these drones lack cameras to capture video of your dogfights, but otherwise, they're great fun for Star Wars fans. Even better, infrared lights and sensors inside each drone let you battle with other Propel Star Wars drones when you "hit" another drone, it will spin in the air. Propel also makes an X-Wing fighter version of this drone, as well as a Speeder bike, complete with Storm Trooper. In flight, it's fast enough to make the Kessel Run in less than 12 parsecs. The details on the TIE X1 are pretty good, and it even looks like the ship has seen a bit of wear and tear. It all comes in an impressive box that plays the Star Wars theme when you open it up. The controller that comes with the Propel TIE X1 Advanced not only lets you perform flips and other tricks, but has a number of sound effects and audio clips from the original trilogy. The Force is with the Star Wars-themed drone, which initially cost nearly $200, but now can be had for less than $50. This combination of maneuverability, stability and battery life makes it a great pick for those who are more interested in video than aerobatics. You get about 8 to 10 minutes of flight time from its 350mAh battery, and two are included. The U818A flies well, hovering when you release the control sticks on the small remote, but turning and banking quickly when you maneuver it around. ![]() ![]() This can be switched to 720p, but that gets a little glitchy when the drone is more than 20 to 25 feet away. The accompanying app (available for both iOS and Android) can control the drone and shows a 480P resolution video preview. Its camera can record video at a 720p resolution, stored on the microSD card that fits into the back of the camera body. The camera hangs below the center of the drone, and can be angled manually to point from straight ahead to about 30-degrees down. The lightweight plastic case is flimsy, and feels like it would easily break in a moderate-speed collision. ![]() That’s a good thing for novice fliers: the circular blade protectors save the blades from being damaged by sticks, fingers and more. The Force1 U818A is one of the larger of the best cheap drones, but most of this size is due to the built-in rotor blade guards. ![]() ![]() ![]() Traps can be set individually or in a long continuous series Most traps are attached by a rope to a buoy on the surface of the water. Bait is commonly secured in the trap to lure animals inside, where they wait until fishermen return to retrieve the catch and re-bait the traps. TrapTraps (also called pots for lobster and octopus) are submerged three-dimensional wire or wood devices that permit the target species to enter the enclosure but make escape extremely difficult or impossible. The fish are trapped on the bottom andĬan be retained in the net as it is taken from the water by the fisherman. With considerable skill, over a fish school in very shallow water. Throw netA throw net is usually circular in design, they are thrown, whether monofilament or braided) is also relevant here. The role of the netting quality in terms of mesh Impossible for them to detach themselves once caught. They are aimedĪt entangling such prey as spiny lobsters and spider crabs, the spines of which make it almost Tangle netTangle nets are similar to gillnets but are more loosely set, usually shorter and slacker with less floatation the sit closer to the sea bed. Often grouped and placed with the mouth across the current in rivers or estuaries. Which is staked to the sea bed or supported by a boat near the water surface. Stow netStow nets are usually in the form of an elongate cone or pyramid, with mouth held open by a frame Mosquito netMosquito netting either bed-nets or lengths of netting used for doors and windows ![]() |
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